The wrench in their plan? Cinders, a rebellious, angry, black-dress-wearing orphan who spews verbal venom and defaces property with spray paint. Her intro tune, “Bad Cinderella,” goes “Girl from the gutter, unpleasant peasant.” Because of her goth-y antics, the hamlet loses the coveted “Most Attractive Town” prize. “Every one a chiseled god, with a ripped and rockin’ bod!” the ensemble sings as director Laurence Connor’s turntable twirls these sexy people around so much you would think he was auditioning to be a DJ.īelleville depends, not on farming or textiles to stay afloat, but tourism. “Cinderella” is set in Belleville, a storybook French town that prizes itself on the oo-la-la hotness of its residents.
That joylessness needs to be remedied if it wants - as Lloyd Webber recently told The Post it does - to come to Bibbidi-bobbidi-Broadway.įennell’s revamped plot starts off campy. “Cinderella,” at times, brings a tear to your eye, but almost never puts a smile on your face. Problem is this revisionist “Cinderella” isn’t dark and brooding like “The Phantom of the Opera.” With a book by Oscar-winning “Promising Young Woman” scribe Emerald Fennell, it fancies itself a musical comedy, like “Guys and Dolls” or “Hairspray.” But at the matinee I attended, the silent crowd might as well have been watching Ibsen.īroadway folks bragged about forging COVID tests to go to Tonys parties Ivano Turco, center, plays Prince Sebastian in “Cinderella.” ©Tristram Kenton It’s sweet and soaring - Lloyd Webber doesn’t often put those two qualities into one showstopper - and ends on a masterful button by lyricist David Zippel: “Only you can rescue lonely me!” Sublime. What parts don’t need a magic spell’s help right now? The greatest assets of “Cinderella,” unsurprisingly, are its cast and Lloyd Webber’s heart-racing ballads sung on a bare stage.Ĭinderella, Georgina Onuorah (she is the alternate, the role is normally played by Carrie Hope Fletcher), makes a striking West End debut with modern pop flair in a song called “I Know I Have a Heart.” She sits, shattered after the ball, on the center of the stage in a big white gown and powerfully wails her pain right to us.Īs her Prince Sebastian, a nontraditionally geeky heir, talented newcomer Ivano Turco innocently croons “Only You, Lonely You” about his nascent love for his childhood pal Cinderella. But, like the title character, the new show could use a Fairy Godmother’s wand.īibbidi-bobbidi-scrap the set and costumes! There is a satisfying musical buried somewhere in Andrew Lloyd Webber’s “Cinderella,” currently playing London’s West End.
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'The Holdovers' review: The year's warmest movie 'A Haunting in Venice' review: For once, Branagh doesn't murder Agatha Christie 'The Royal Hotel' review: Welcome to the scariest bar on earth Taylor Swift beat reporter reveals impossibly grueling daily schedule Get ready for Cinderella… like you’ve never seen her before.Tiger Woods and Justin Timberlake's new NYC bar needs a personality: Inside T-Squared Social “It’s about beauty, but it’s about beauty being what you are rather than what you try and make yourself.’”įeaturing a brand new score by the legendary Andrew Lloyd Webber, lyrics by Oscar-nominated David Zippel, with a script from Killing Eve’s Emerald Fennell, this new production of an ancient tale promises to tell the rags-to-riches story the world loves in a totally new way. But underneath it all, the loneliness that comes with being the town pariah is wearing on her. The only person steadfastly refusing to live in the fairy tale is Cinderella, loud-mouthed, dripping with disdain, and more likely to roast Hansel and Gretel for dinner than play the demure and downtrodden maid, Cinderella is desperate to escape.
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Maintaining this façade is a full time job, and one that is taken very seriously indeed. Belleville is fairy tale come to life: a place where you can’t move without falling over a wishing well or a quivering milkmaid. Welcome to Belleville! The most aggressively picturesque town in the history of the world, populated exclusively with gorgeous townsfolk who stop at nothing to achieve perfection. Running in London only until 12 June 2022.Īndrew Lloyd Webber has described this new iteration of Cinderella, now playing at the Gillian Lynne Theatre, as a ‘misfit’. On Tuesday and Wednesday evening performances, the role of Cinderella will be played by Georgina Onuorah.Īndrew Lloyd Webber’s Cinderella is the exciting new musical comedy starring Carrie Hope Fletcher (Heathers The Musical, Les Misérables) which completely reinvents the world’s best-loved fairytale. Please note that Carrie Hope Fletcher will not be performing on the following dates: 23-25 March and 20-25 April, and 20-22 May.
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